From a single workshop to a national summit, we design the content, run the logistics and report on what changed. Our largest programme to date was convened with federal partners and reached youth leaders across the country.
Training is also built into every other division. When we install a system, your operators learn to run it before we leave site.
Four stages, each ending in something written you can review before the next begins.
Who is being trained, what they need to be able to do afterwards, and how success will be measured.
Curriculum, materials, facilitators and the schedule, built around the audience rather than an off-the-shelf deck.
Venue, equipment, registration, catering and the run of show — on site or at our facilities.
Attendance, assessment results and a written report, plus follow-up sessions where the programme calls for it.
Commissioned programmes we run for institutions, councils and corporate teams. Each is scoped to the audience and the outcome, delivered on site or at our facilities, and reported on afterwards.
For agencies, newsrooms, schools and community organisations whose work depends on public trust. How false and inflammatory content spreads, how to recognise it, and how to communicate responsibly once it has.
For council leadership and finance teams, covering the structures and procedures that decide what a council can raise, retain and spend.
Hands-on training for the staff who operate and maintain institutional systems, delivered by the same engineers who install them.
Need a programme that is not listed? We design to a brief — tell us the audience and the outcome.
We deliver the National Skills Qualification in Creative Media Production, the national standard set by the National Board for Technical Education. Three progressive levels, each assessed on real production work rather than on paper.
Work safely on a production, operate a camera and basic sound kit, use design software, and understand how digital media is made and distributed.
Light a scene, shoot video, work through a film production, build a story in sequential art, and edit the result.
Run a production as a project: direct, light, edit, engineer sound and manage the client relationship from pre-production to delivery.
Send the site, the scope and the timeline. We respond with an approach and an estimate.
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